2024
A collection of Harriet’s artworks from 2024
The works in this collection mark a significant turning point in my creative practice. After receiving my first iPad, I began exploring how digital tools could become an extension of my traditional process rather than a replacement for it. My goal was never to create artwork that looked overtly digital, but to discover a way of carrying my pencil drawings through to finished colour while preserving the softness, texture and character that first brought them to life.
This period became one of experimentation and discovery. Pencil sketches were scanned into the software and carefully developed with layers of digital colour, allowing me to retain the soul of the original drawing while embracing new possibilities for atmosphere and colour. The process opened up a new way of working that has continued to influence my practice ever since.
The collection brings together many of the whimsical characters and narratives that have become synonymous with my work, from elegant and mysterious Victorian cats and nostalgic woodland creatures to playful fairies and quiet moments of magic. Each piece reflects my fascination with childhood nostalgia, imagination and the gentle wonder of storybooks, inviting the viewer into small worlds where the ordinary and the magical exist side by side.
Although coloured digitally, every artwork begins with a traditional pencil drawing. The pencil remains the foundation, carrying the emotion, movement and personality of each character before colour gently breathes new life into the image.
Alongside these digital illustrations, this period also saw the creation of The Crankie Project, a large-scale mixed media illustrated scroll celebrating the song Little Old Town in the Old County Down, as well as a handful of traditional watercolour works. Beyond the studio, my mural practice was gathering momentum, bringing opportunities to create larger public artworks and community projects. At the same time, I was expanding MyfanwyNia's Studio, developing new products that allowed my illustrations to find their way into people's homes as prints, cards, gifts and wearable art. Together, these experiences shaped an exciting period of growth, experimentation and creative exploration.
If a particular piece speaks to you, many of these artworks are available as fine art prints and a selection of illustrated products in my shop.
2024
'Bake The World A Better Place' 2024, Pencil drawing on textured watercolour paper, colourised digitally (Software: Photoshop Elements 5.0, hardware: Wacom Cintiq)
'Candlelit Whiskers' 2024, Pencil drawing on textured watercolour paper, colourised digitally (Software: Photoshop Elements 5.0, hardware: Wacom Cintiq)
Wizard Kitties 2024, Pencil drawing on textured watercolour paper, colourised digitally (Software: Photoshop Elements 5.0, hardware: Wacom Cintiq)
'Rabbit Radish' 2024, Pencil drawing on textured watercolour paper, colourised digitally (Software: Photoshop Elements 5.0, hardware: Wacom Cintiq)
'Witches Garden' 2024, Watercolour and Gouache on Bockingford Watercolour Paper.
'Good Morning Gloria' 2024, Pencil drawing on textured watercolour paper, colourised digitally (Software: Photoshop Elements 5.0, hardware: Wacom Cintiq)
'The Drop' 2024 Pencil drawing on textured watercolour paper, colourised digitally (Software: Procreate, hardware: iPad Pro 13)
The Shamrock Fairy 2024, Watercolour and Gouache on Bockingford Watercolour Paper.
'Cygnets' Trance' 2024 Pencil drawing on textured watercolour paper, colourised digitally (Software: Procreate, hardware: iPad Pro 13)
'My Deer One' 2024 Pencil drawing on textured watercolour paper, colourised digitally (Software: Procreate, hardware: iPad Pro 13)
'Outside of her Garden' 2024 Pencil drawing on textured watercolour paper, colourised digitally (Software: Procreate, hardware: iPad Pro 13)
'Nostalgia Squirrel' 2024 Pencil drawing on textured watercolour paper, colourised digitally (Software: Procreate, hardware: iPad Pro 13)
'Star' 2024 Pencil drawing on textured watercolour paper, colourised digitally (Software: Procreate, hardware: iPad Pro 13)
Crankie Island Song Project:
Little Old Town in the Old County Down, 2024
The Crankie Island Song Project, led by the talented singer Cathy Jordan and artistic director Peter Crann, is a captivating initiative that brings traditional Irish songs to life through visual storytelling. With support from the Arts Council of Ireland, Cathy and Peter have worked with illustrators to create 32 unique videos, each representing a county in Ireland. I was honoured to illustrate the song "Little Old Town in the Old County Down" for County Down, creating the longest piece I’ve ever painted, with one meter of artwork scrolling per minute in sync with Cathy’s new recording of the song.
The Crankie Box is a fascinating, hand-cranked storytelling device dating back to the 19th century. As the box is cranked, a long scroll of illustrations unfolds, drawing viewers into the song’s narrative. It’s a charming blend of history, music and art that creates an intimate, almost dream-like experience.
My piece was painted on textured Fabriano paper using a mix of watercolour, acrylic gouache and water-based acrylic spray paint. It illustrates a melodic emigration song from the 1920s, following a red-haired Irish woman as she gazes out onto a New York Cityscape. As the song unfolds, the curtains in her window transform into the sea, and she emerges with wings, a dream of returning to beloved Ireland. The imagery takes on a dreamlike quality as the woman grows younger, eventually depicted as a child touching her mother’s lips, both with matching red hair. Surreal scenes of the town intersperse the figure and motifs of the song, swallows and a black sheep. The whimsical progression of the scroll concludes with fairies flying overhead and a fairy riding a black flying sheep into a soft pink and blue sky lead by a soaring swallow, evoking a childlike, storybook charm.
To present this illustration, I built a unique crankie box with my husband Iliocht’s help. The box is crafted from a reclaimed vintage picture frame in a hexagonal shape, a popular design in 1920s interiors. The structure is made from wood attached to the back of a plywood façade, with the frame serving as a window to the illustration. I painted a harlequin pattern around the frame, which echoes an element in the illustration while also nodding to a carnival or circus spectacle. The scroll illustration is mounted on two pieces of an old wooden broom handle, allowing it to scroll from side to side. Holes were drilled into the top of the wooden frame to support the turning mechanism and a small hole in one of the handles accommodates a large nail to create a lever for cranking the scroll. To add an elegant touch, I glued some silver filigree book corner charms onto the corners of the box's plywood façade.
I’m so grateful to Cathy Jordan and Peter Crann for including me in this inspiring collaboration. You can watch many other beautiful Irish songs and illustrations, on the Crankie Island YouTube channel.

